Lectures, Workshops & Teaching
While touring, the members of TTTenor are available for classes, lessons, and workshops.
Dr Andy Sugg, John Mackey and Dr Roger Manins are among the most outstanding saxophonists in the Southern Hemisphere; brought together through a common love of the saxophone and totally dedicated to their art form. As educators they have a wealth of experience and knowledge to share with all musicians at all levels and stages of their development.
They each have their own specialist field of research which they bring to TTTenor offering exciting new insights into post-Coltrane saxophone playing for today. Below are listed some specialist lecture and workshop topics available:
Specialist topics
Dr Roger Manins:
Circle-Cloud Theory: 10 Rules for Harmonic Generation - A theory inspired by the work of Steve Coleman
George Garzone’s Chromatic Triad Concept explained.
Steve Coleman’s Symmetrical Movement Theory explained.
Ben Webster, Lester Young and the Swing Masters: How to approach traditional swing improvisation in terms of sound, feel and harmony.
Dr Andy Sugg:
Liebman and Bergonzi: How the generation after Coltrane created its own sound
Coltrane: his melodic language throughout his various style periods
The story of the saxophone from Adolphe Sax to now
Jazz around the world: ways of understanding the importance of Americans music-making, globalisation and localisation.
John Mackey:
Extending Chords – Stacking Harmony upon Harmony
Turning Maths Into Music – The Art of Converting Scales into Improvisatory Language
Synthetic Pentatonic Structures
Common Pivot Tones and Modal Interchange
Chord Tones and the Exploration into Seemingly Unrelated Modes
General Lecture Topics:
John, Roger and Andy
Practical
Getting a great sound: a detailed look at the complexities of tone development on the saxophone and techniques for improving your sound
Breathing techniques for saxophonists and wind instruments
Jazz articulation for the saxophone player
How to rehearse a band
How to musically ‘connect’ on the band stand
Rhythm Sections: How to play behind a soloist
How to create bebop lines and use chromaticism in jazz solos.
Theory
Arranging techniques for small and large ensemble
Composing for jazz and beyond: A look at traditional and modern approaches in jazz composition
How do you get a unique personal sound and approach? (how did we do this) Improvisation and Harmony:
How to get started with jazz improvisation
What is improvisation? What are we actually doing when we take a solo?
Chord-Scale Theory explained simply
Non-Functional Harmony and its place and uses
What is defining/ unifying about us:
We all are post-Coltrane but we all have our sounds individual approaches informed by our research
How do you get a unique personal sound and approach? (how did we do this)
Unique Australasian sound / perspective